In the early 2000s, China began building imitations of western cities. spillet på Aarhus Teater, Teater Nordkraft, Teater Får302, Teater Grob, Østre Gasværk Teater, Edison, Cafe Teatret. Obviously, bleaching 300 kids blonde will be fucking cool, you know?“I saw the pictures of the fake Paris in China.

View the profiles of professionals named "Hassan Kone" on LinkedIn. And I’ve always wanted to transcend that kind of shit. We found him in Paris. Everyone is talking about cultural appropriation and I was like, ‘That thing is the most insane fucking cultural appropriation.’ It’s almost like you don’t put it on a moral level” – Romain Gavras“I don’t necessarily see music videos as a promotional thing. This was the intellectual process I had making it.Sometimes, it was more like I had a dream that when we were there that everyone was blonde in China, so the next day I went to the crew, ‘Let’s bleach all those kids blonde because it will look fucking cool.’ So sometimes it was intellectual, and sometimes it was more intuitive. Romain Gavras: His name is Hassan Kone. Somehow, spirituality is where that kid (in the video) is going to find sense.

Upcoming, new, and past Hassan Kone movies, TV shows, TV movies, appearances, specials, and more -- plus, a biography, news, awards, and nominations. 19k Followers, 506 Following, 21 Posts - See Instagram photos and videos from Hassan Koné (@hass.ko) At first – and this is what I was saying about the process – I didn’t want to cast him. The Greek-French music video director, who is most well-known for directing M.I.A.’s provocative “The world of “Gosh” sees Hassan Kone — an albino of African descent — as its focal point, traversing the city amidst hundreds upon hundreds of Chinese boys, whose soldier-like choreography and visual and mechanized uniformity is masterfully portrayed by the Xiaolong Martial Arts School. Given this background, it’s not surprising that Gavras’s version of teenage rebellion was to immerse himself in pop culture: films like Gavras started making music videos after becoming frustrated with short films. In 2008, he released a video for Justice’s Growing up in a filmmaking family (his sister, Julie, is also a director) meant that Gavras was always surrounded by cinema: the family house was used as a production headquarters, while his father ensured that he was exposed to the important works of postwar European cinema from a young age. There are 20+ professionals named "Hassan Kone", who use LinkedIn to exchange information, ideas, and opportunities. That’s my vision of fucking hell” – Romain GavrasWith the marginalised thing… I see a lot of videos that are almost like poverty porn, you know? Hassan Kone is an actor, known for Brother (2019) and Jamie XX: Gosh, Version 2 (2016). I’d rather kill myself than make a normal music video for YouTube with Bono singing in front of the camera. But really, he doesn’t elevate himself, it’s the camera that elevates – so it’s the old thing where he doesn’t change, it’s the perception that we have that changes. The fear that this utopian city from the future is actually from the present. It’s like when you leave your friends, when you’re in high school, and then you’re going to go to the big town – that kind of coming-of-age type of narrative. 4,562 Likes, 38 Comments - Hassan Koné (@hass.ko) on Instagram: “C'est parti, le film est enfin disponible Aujourd'hui dans pratiquement toutes les salles, faites…” Romain Gavras never takes the easy way out. It’s really subjective what violence is. Hassan Kone, Actor: Mon frère. For example with the ‘Stress’ video, it means you transcend that shit and you’re not in the category of whether it’s violence porn, or poverty porn, or whatever.I think about the violence thing a lot. He’s 17, still in high school. It’s possible to visit replicas of English, Swiss, and Californian towns without ever leaving the country – and if you go to “Gosh” is Gavras’s first music video since working with Jay Z and Kanye West in 2012, though he’s hardly been idle in that time. This is why I’m talking about icons – because if it’s the sad thing where you’re just like, ‘Oh, look at those crackheads,’ then it becomes something a bit like porn. But when you put it in a cinematographic form, it becomes more iconic. Besides the fact that he’s had a child, he’s also created commercials for brands like Dior and spent time in Afghanistan with Gavras’s films and music videos often focus on marginalised or minority groups, whether that’s literally (the Romanian gypsies featured in Simian Mobile Disco’s His refusal to reveal his intentions has often proven controversial. Hassan Preisler (født 12. juni 1969) er en dansk skuespiller, radiovært, forfatter og dramatiker.. Hassan Preisler har siden sin uddannelse spillet roller i en lang række teaterforestillinger og film.Som skuespiller har han f.eks. And this why then they all circle him and he’s detaching himself from his other group of friends, and then he becomes his own prophet. He was amazing because it was a first time thing, he was street-cast. “Nobody gives a shit about short films,” he says bluntly, “You do a short film circuit and it’s the most depressing thing.” His breakthrough came when he immersed himself the nascent European electro scene of the late 2000s, making music videos starting with DJ Mehdi’s I almost saw (the video) like a coming-of-age journey through a world where cultural appropriation became so insane that you need spirituality in order to elevate (yourself) from something where culture makes no sense. Kim Chapiron and Iconoclast’s “Behind The Scenes” mini-doc (watch it below) is a welcome companion to Gavras’s “Gosh” video and a look into the method behind the artistic madness of one of the most intriguing music video directors in the business and one of the best videos of the year. Katy Perry videos are super violent. Kone comes across as the last hope for the decrepit cesspool of Tianducheng, as he races through the film in a Subaru and ends it standing beneath the 300 foot tall Eiffel Tower replica, while the Xiaolong boys circle him in patternized movement.